This recent series explores an inundation of stimuli and a wide-range of emotion; from “blah” (la-UGH) to “love” — through a mechanistic yet emotive abstract process. A restrained palette of monochromatic gray, black and white, and red, not only references historical movements such as Constructivism, but also reinforces the rote, repetitive feelings embedded in daily life. More information about this project visit: People of Print feature, click here.